Showing posts with label African History. Show all posts
Showing posts with label African History. Show all posts

Wednesday, 8 May 2013

Political Identity, Citizenship and Ethnicity in Post-Colonial Africa’, keynote address at the Arusha Conference,“New Frontiers of Social Policy” – December 12-15, 2005.

Mahmood Mamdani
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My starting point is the generation that inherited Africa’s colonial legacy. Our generation followed on the heels of nationalists. We went to school in the colonial period and to university after independence. We were Africa’s first generation of postcolonial intellectuals. Our political consciousness was shaped by a central assumption: we were convinced that the impact of colonialism on our societies was mainly economic. In the decade that followed African political independence, militant nationalist intellectuals focused on the expropriation of the native as the great crime of colonialism. Walter Rodney wrote How Europe Underdeveloped Africa.1 But no one wrote of how Europe ruled Africa.

We were convinced that political economy was the most appropriate tool to come to analytical grips with the colonial legacy. The great contribution of underdevelopment theorists was to historicize the construction of colonial markets and thereby of market-based identities. The popularity of political economy spread like a forest fire in the post-independence African academy precisely because it historicized colonial realities, even if in a narrowly economic way. Political economy provided a way of countering two kinds of colonial presumptions, embedded in various theories of modernization.2 The first was that colonial cultures were not grounded in historical processes. The second was that colonial contact marked the beginning of a history for these societies, since colonialism was presumed to have animated them culturally, economically, and politically.

Friday, 19 April 2013

The Writer in a Neo‐colonial State


Ngũgĩ wa Thiong'o

The African writer who emerged after the Second World War has gone through three decisive decades which also mark three nodal stages in his growth. He has gone, as it were, through three ages within only the last thirty years or so: the age of the anti‐colonial struggle; the age of independence; and the age of neo‐colonialism.

First was the fifties, the decade of the high noon of the African people’s anti‐colonial struggles for full independence. The decade was heralded, internationally, by the triumph of the Chinese Revolution in 1949 and by the independence of India in 1947. It was the decade of the Korean revolution, the Vietnamese defeat of the French at Dien Bien Phu, The Cuban people’s ouster of Batista, the stirrings of heroic independence and liberation movements in Asia, the Caribbean and Latin America. In Africa the decade saw the Nasserite national assertion in Egypt culminating in the triumphant nationalisation of the Suez canal, armed struggles by the Kenya Land and Freedom Army, Mau Mau, against British colonialism and by FLN against French colonialism in Algeria, as well as intensified resistance against the South African Apartheid regime, a resistance it responded to with the Sharpeville massacre. What marks the decade in the popular imagination, however, was the independence of Ghana in 1957 and of Nigeria in 1960 with the promise of more to follow.

The Re-invention of Africa: Edward Said, V. Y. Mudimbe, and Beyond


ALI A. MAZRUI (2005)

State University of New York at Binghamton

Edward W. Said has been described as one of the founders of postcolonial studies. But the claim that Said is a postcolonial innovator should not be interpreted to mean that hiswork does not examine European colonialism in Asia, Africa, and elsewhere. On the contrary, much of the focus in both Orientalism (1979) and Culture and Imperialism (1993) is on the classical era of European imperialism, and about literary interpretations of the colonized peoples, going back to Joseph Conrad and long before him.

V. Y. Mudimbe is, in certain aspects, a thinker in the same tradition as Edward Said. Both of them illustrate that the best time for interpreting colonialism is in the postcolonial era. After all, one can best evaluate the preceding day after the sun has set. In Hegel’s immortal words, “The owl of Minerva spreads out its wings only with the falling of the dusk” (Philosophy of Right, 1812). Postcolonial studies include such an assessment of the preceding era of colonialism.





Wednesday, 17 April 2013

The invention of the indigène


Mahmood Mamdani


 For the institutions that claim to represent ‘the international community’ – the Western press, international NGOs and UN agencies – the armed conflict in the Democratic Republic of Congo has been a paradigm of senseless violence. The number of casualties is indeed staggering. In 2001, the New-York-based International Rescue Committee started providing estimates of war-related deaths since the conflict began in 1998: they rose from 1.7 million in 2001 to 5.4 million in January 2008. If correct, these figures account for about 8 per cent of the current population of the country. They were called into question in 2008, however, when two Belgian demographers concluded that the excess death toll between 1998 and 2004 was in the order of 200,000 – one-twentieth of the IRC’s estimate for the same period, but still a shocking number of victims.

The violence in Congo may seem unintelligible but its roots lie in institutional practices introduced under colonialism, which 50 years of independence have only exacerbated. At their heart is an institution known as the native authority. Since the colonial period, native authorities have had jurisdiction over ‘tribal homelands’. As a system of power, the native authority claims to represent age-old ethnic identity. But ethnicity refers to cultural difference, and there is no necessary link between culture and territory.

Parables and Fables: Exegesis, Textuality, and Politics in Central Africa



Parables and Fables: Exegesis, Textuality, and Politics in Central AfricaThis remarkable book confronts the philosophical problems of otherness and identity through readings of the parables and fables of a colonized people, the Luba of Zaire. V. Y. Mudimbe poses two overarching questions: how can one think about and comment upon alterity without essentializing its features? And, is it possible to speak and write about an African tradition or its contemporary practice without taking into account the authority of the colonial library that has invented African identities? Mudimbe brings unusual insight to such a discussions: “Here I am on the margin of margins: Black, African, Catholic, yet agnostic; intellectually Marxist, disposed toward psychoanalysis, yet a specialist in Indo-European philology and philosophy.” He uses his own education by Catholic missionairies in Zaire as a framework for exploring interactions between African and Western systems of thought.


Mudimbe examines the relationship between God and human beings in the philosophy and




Mahmood Mamdani, "State Formation and Conflict"

 
 

Tuesday, 16 April 2013

Valentin Y. Mudimbe Africa remains the absolute difference—An interview



Valentin Mudimbe: In order to understand “Invention of Africa”, we can use a number of entries, levels of interpretations which were made by scholars, journalists and anthropologists, in order to define the specificity of Africa. We have levels of comprehension and understanding the history of the West; its everyday life, practices and its ethno-philosophy, and indeed the practice of disciplines such as history, sociology, theology and the philosophical level in its two dimensions. I distinguish the semiological from the hermeneutic form. The first is understood as the totality of skills and knowledge that allows one to describe what one is seeing in social science. The second as the totality of skills and knowledge that allows one to read meanings. That is the first entry; the levels of interpretation of what is going on in a given society, which thus could qualify Africa as abnormal. We can also see that abnormality or difference, by using a model, the mode of production. In France particularly, people like Catherine Coquery Vidrovitch, Claude Meillasoux and Emmanuel Terrey, conceived “the lineage mode of production”, to qualify the specificity of Africa on the basis of the Marxist legacy, and the concept of “